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TWSSF: Where snow meets surf

13th annual Pro Photographer Showdown examines the many angles of action sport photography
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What: Pro Photographer Showdown

When: Thursday, April 22, 8 p.m.

Where: Whistler Conference Centre

Cost: $20

In just a few weeks, a darkened Whistler Conference Centre will echo with resounding cries of "oohs" and "aahs" as the crowd takes in awe-inspiring shots by some of the world's best action sports photographers projected onto the big screen.

But this time around, there'll be plenty of barrel rolls and watery wipeouts sandwiched in alongside the epic pow-shots, as some of the industry's most prolific surf photographers strut their stuff on-screen.

While this is the 15 th year for TWSSF, it's actually the 13 th year for the festival's top-notch photography competition, the Olympus Pro Photographer Showdown. Over that time, the event has become a very big deal in the realm of action sports photography, with some serious cred and great prizes up for grabs.

This time around, almost 50 photographers from around the world applied to be a part of the competition.

"We send out a call for entries typically in early January and invite photographers from around the world to submit a three-minute demo show that's set to music and is illustrative of what they would put together if they were invited to be a finalist," said Lisa Richardson, spokesperson for Watermark Communications, the group organizing the festival.

A screening panel then sifts through the submissions. This year, they decided to shake things up a bit, featuring three invited photographers and three wild card entries who will face off for the $10,000 Best in Show award and the $1,000 People's Choice Award. This year, the six finalists are Brian Bielmann, Yves Garneau, Jeremy Koreski, Mason Mashon, Erik Seo and Grant Gunderson.

Though TWSSF is generally thought of as a ski and snowboard festival, the photographers aren't limited to winter sports as subject matter. And their nine-minute digital slideshows aren't designed to be pure ski porn; rather, they're meant to capture the spirit and lifestyle behind the sport. Just ask Brian Bielmann.

Bielmann, an established surf photographer, is one of the three wildcard entries.

Born on the East Coast, he moved to Hawaii in 1975 to pursue a life of sand and surf.

"All I cared about was surfing and anything to make a little money to keep surfing," Bielmann said.

That is, until a major surfing accident motivated him to start thinking about his future.

"I was about 21 years old and I had been doing lots of odd jobs: janitor and 'perishable food selector' - I was one of the guys that went into the 20-below freezer and selected food to go to the grocery store - so I just did all these odd jobs... and then finally I just kind of woke up one day and was like, 'what am I going to do for a living?'"

He committed to the idea of becoming a surf photographer, a career that would allow him to continue to indulge his passion for surf. He picked up a camera and began teaching himself the tricks of the trade, which was then in its infancy.

"It was very exciting, but the hardest part was to quit surfing," he recalled. "It took me a long time to actually start getting good at it because I couldn't stop surfing!"

After getting a few pieces published, Bielmann gained confidence and eventually became known as a photographer who was willing to risk life and limb to capture all of the action among the swells. His shots began appearing on the covers of every major surf magazine in the world, plus Rolling Stone , the New York Times and Sports Illustrated . He's also shot campaigns for Quiksilver, Billabong and Volcom and has served as senior staff photographer for Transworld Surf for the last decade.

"He's in his 50s, he's been shooting surf photography on Hawaii's north shore since the '70s and he's drowned 10 cameras," Richardson laughed. "Who else is that dedicated? It's basically got to be war photographers!"

On Tuesday morning, Bielmann had just wrapped up weeks of hard work on his Telus Fest slideshow, a painstaking labour of love that had the photographer poring over a massive portfolio of more than 30 years of work. While it was a bit of a time-consuming task, it was also a great opportunity to reflect on the work he's managed to produce throughout his career.

"You get so wrapped up in shooting them and submitting them and getting them published and then the next job and the next job," he explained. "Finally you kind of step back a little bit and forget that you were the one that took 'em and just see them as a piece of art."

In the end, he opted to go with a solid range of jaw-dropping, fast-paced action surf shots and some spacey, artistic images, all married to music.

"It's perfect; it's just how I wanted it, but whether that means it's a good slideshow or not, I don't know!" he chuckled. "We'll find out."